Youth development grants 2019

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November 14, 2019 0 Comment

Because I’m personally so influenced by Nick Cave and Leonard Cohen, I’ve spent a lot of time reading poets like Sappho, Auden, Berryman, and T.S. Eliot, and listening to Jewish and Christian liturgical music, which were all major influences on them. Cohen’s “Suzanne” oozes with classical, religiously steeped references.

A mode is like a scale: It is a collection of pitches which have a certain relationship between each other. Just like any major or minor scale, a mode has a Tonic (a point of rest) and a “Dominant” (a point of tension which needs resolution). I have put the word Dominant in quotations because in the case of modes, the dominant is not always found on the 5th degree — like in any major scale for example — but it is the degree(s) which contain the characteristic note (the note that gives a certain mode its peculiar sound) that functions as a dominant.

“[This] might sound a bit subjective, but the most valuable thing I learned was how to be more sensible about the emotion that every type of chord can produce, and not only a single chord, but in the context of a chord progression by how each chord note moves to the next.”

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If you’re going to be playing country music with an electric guitar you’ll probably want to have just a touch of bite, or crunch on your guitar, with strong mids and not a lot of highs. An open-back amp can help diffuse some of the higher frequencies to give you a more muted tone. Country music also lends itself to lots of gigging, so I’d recommend an amp with a low wattage as well. Country music is obviously going to be played much quieter than punk or metal.

Ira Arnstein, the minor early 20th century composer with religious leanings, believed that Cole Porter, a very influential composer and songsmith, enlisted spies to steal his songs and sued him for plagiarism of multiple works.

Chorus impact accentuators, often abbreviated to “CIAs,” is a term that’s still fairly new in this category — whether people know about it at all yet — but it keeps popping up more and more nowadays. Simply put, chorus impact accentuators are any element in a production that makes the chorus more impactful and powerful. That can be a reversed crash cymbal sample that flares up and preps our ears for a drop, or even a half a measure of complete silence leading up to the chorus, making its arrival all the more epic.

But don’t get too comfortable with that one, here’s perhaps the most well-known melody of the bunch: the first two unique notes of Beethoven’s 5th Symphony. The most classic-est of classic major thirds.

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This method might at first seem complicated, but your eyes are quicker than your fingers, so having reference points to refer to all around the guitar fretboard is a great first step towards familiarity.

Something most recently popularized in Post Malone’s work, Free Form writing is when your song structure is very loose, or follows little to no repetitive form at all; eight bars or this, 11 bars of that, the chorus not always falling in the same place after the verse, etc. In modern music it usually is represented as a song with no repetitive verse structures, and with the chorus still remaining somewhat, or completely the same each time.

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“Bad at Love”: Just like the song Halsey sang last year with the Chainsmokers, “Closer,” this song defies a concrete tonal center, camping on what I first heard as the IV and V chords, with just a flirtation to the I chord at the end of the loop. It’s subjective as to how anyone’s ear is going to hear this tonally, at least at first. It’s like that famous “Rabbit-Duck” illusion where some people see a rabbit and others see a duck.

Soundfly’s six-week beginner harmony course, Unlocking the Emotional Power of Chords, will show you how to craft compelling chord progressions in your music. We’ll analyze the chords used in music from across the contemporary landscape, and equip you to use them in your own productions and compositions. You’ll be challenged to write your own mood-setting music by creating tracks for topliners, TV ads, film trailers, and more, and get personalized weekly feedback on your work from an expert mentor. By the end of this course, you’ll be able to harness more interesting chord progressions to provoke powerful emotional reactions in your listeners.