Hip hop old school rappers
This course is for producers and DAW users who have no trouble generating ideas, but tend to veer off track and spend all their creative energy on the production, leaving the actual song behind too early in the process. It’s also for any non-professional songwriters (musicians, composers, synthesists) who produce music at home, but lack structure in their process. The course is genre-agnostic, but is best suited for those who lean heavily on their computer to make music.
Whitney Houston was a definitely a great singer and an animated, entertaining performer, sure; she makes the song glimmer, but that’s not the only ingredient. The instrumentals, the lyrics, the melodies and harmonies, all have to match, and be enjoyable too. In this song, melody clearly plays a really important role.
I get asked this question a lot and, to most people’s frustration, I have to say it comes down to experience. A good DJ specializes in two things: song selection and timing. That skill is only learned by DJing an insane amount of hours in front of hundreds of different audiences, observing and understanding what works and, more importantly, what doesn’t.
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Unemployment is still rampant (10.4% as of July), and PROMESA, a much-contested law passed in 2016 that promised to stabilize the island’s economy, has wrought austerity measures, from cuts to services and pensions, to controversial labor reforms and the threat of significantly slashing the budget for the University of Puerto Rico.
“I Wanna Dance With Somebody” uses the first, third, and fifth notes on that scale more often in the chorus than in the verses and pre-choruses. Since Cui and Dr. Hughes have each worked on different versions of an experiment about how notes 1, 3, and 5 on a scale affect us psychologically, they can tell us a lot about why that difference matters through the lenses of music theory, music psychology, and cognitive psychology alike.
Have you ever heard the term “glue” in a conversation about recording and mixing? No, I’m not talking about the kind you used to put on your hands in elementary so you could peel it off when it dried. (Am I the only one who did that?)
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Most commonly seen in classical music, the “Verse-Refrain” is one of the simplest song structures. It consists of verses followed by a short refrain that sums the song’s message up quickly and easily (functioning somewhat like a chorus). The Beatles wrote many successful verse refrain songs throughout their career. Though the verse-refrain has almost completely disappeared from modern music, it is still an effective tool for certain songs. And as it is important to always keep in mind, history has a tendency to repeat itself!
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This is not the place for a ton of different pitches — none of that funk chromaticism. In some tracks, the 808 might only play two notes, and they’re both likely roots. Stick to a range of about an octave maximum.
Saying goodbye to big purchases can be tough. But if it’s not actively contributing to your music, that money might be better spent elsewhere. Think about what you actually need for your workflow.
A few oddballs and nerds have explored tuning systems that use bigger prime numbers to generate finer pure intervals. Harry Partch used the primes up to 11 to make a tuning system that divides up the octave into 43 pure parts rather than 12 impure ones. You can try the Partch scale using the Wilsonic app or Audiokit Synth One. It’s extremely strange! But, I guess, it’s strange in a pure way?